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Kathy
Kieth:
http://medusaskitchen.blogspot.com/ David Humphreys poetscornerpressblog Dianna Henning: bloglist Ekphraisis http://hometown.aol.com/ekphrasis1/ Richard Hansen: http://www.sacfreepress.com/poems/ Patricia Wellingham-Jones: http://www.wellinghamjones.com Poets Corner Gold Medal to Medusa's Kitchen for a recent Bukowski entry March 2006 |
S.P.C.
Blog http://www.sacramentopoetrycenter.blogspot.com/ Brad Buchanan: http://www.miracleshirker.blogspot.com/ Ben L. Hiatt: http://digitaldawg.blogspot.com/ Victor Schnickelfritz http://whimfetishandblogorrhea.blogspot.com/ Crawdad Nelson: crawdadnelson@sacnewsandreview Collette Jounopoulos (Tiger's Eye) http://www.colettej.blogspot.com/ Cristian Kiefer http://xiankiefer.blogspot.com/ Atasi Jaan http://bindisandbangles.blogspot.com/ James Den Boer http://www.paperwrk.com/ Robert Grossklaus: http://www.xanga.com/dphunkt6/ |
| I would like to dedicate all my
current work to Walt Whitman on the
150 year anniversary of his publishing "Leaves of Grass". His position
as "father" of modern American poetry is noteworthy and pivotal in a
literary environment that often contrasts academic meritocracy with
egalitarian freedom. Tyranny quite often expresses itself in the
privelege of the few following conventions of political
exclusivity. Self publication should be revered as a legitimate avenue
for original work and I would like to salute Walt Whitman as a
brilliant beacon for some future poet "Thomas Paine" of style and
content. ******************************************************************************************************************** 2005 is also, coincidentally, the 50th anniversary of Alan Ginsberg's poem Howl, emblematic of beat poetry. To compare a poem such as Howl with a full length book of the significance of Leaves of Grass is interesting in any case. I personally find Ginsberg's poetry sometimes quite electrifying and I have read polls that have ranked his work highly but I have never heard him refered to as "father" of anything in particular. Perhaps he qualifies as one in a short list of biological "fathers" of the beats beside his publisher Lawrence Ferlinghetti. Please check poetscornerpressblog |
Points of Hope by Nora Laila Staklis
Do you know
what it feels like,
as if one-thousand daggers
of pointed steel
no longer hold you captive?
For the first time
in my life
I have the freedom
to simply
BE,
no longer working
from a base of
shame
and unquenchable
sadness
Now it is
as if I came into
the Garden of Eden,
lay down among luxuriant ivy
that cradles my long flowing hair
and
watched the constellations
map out points of
hope.
With Confidence
by Loretta McKeeverdaily
for several months
I pause
to walk behind you
and Isaacwith my own son
roads and roads
away
I envy
your three day
retreat,
calamitous though
it may bemany read
your heart
with confidence
and vie to speak
for younearly all are loud,
frightening
the ram
in the thicket
Visitation Rights of the Levee Builders
by William BarrIn late April each man and his
oldest son light the levee fires.
The night bridges are floated
from both sides and joined atthe center. Throughout the night,
I hear footraces, cheers, and the
squeak of old nails in old wood. I
smell crayfish, turnip pudding,cabbage, and I can almost taste
the walnut prawns. No, I speak no
Chinese at all but the laughter of
the young men echoes into mymorning prayer. When the old
man finally speaks even the dogs
are quiet. There is one final
chorus, then their steps, theirsoft leaving steps. At dawn the
levee is covered by fog. But I can still
smell their fires. From the lowest
trail, I smile at shells floating onthe water. This morning I tripped
over sections of their bridges
scattered on the levee, scattered
so casually, in the sedge.
To The Valley Fog
by Don CampbellThrough the bedroom window
You are there in the morning
Filling every space with snow-like silence
Fooling the northerner with your whitenessCovering the tops of trees and the roof line of tall buildings
You soften every edge in town
Drip off gutter corners into the streets
Leaving a trail the cats avoidThe valley surface thirsty from a long summer's drought
Is glad for any water...even yours now dirty
From the dust and grime you've trickled off
The leaves and the stone wallsThe people are troubled because you break
Their speed as they drive to work
Hawks stay put in their trees waiting for you to rise
Seems like all life hesitates to moveDown by the river, crawling
Through traffic to work or walking
The wet streets to school a few people
Stop in silhouette damp and coldThey pause like phantoms
Gazing into your luminous power
Then move along their way
Shining from within
The New Main, S.F.
by Paula SheilA man entered the space. Hair. Black. Soft. Moved down his
back. All of his back. Moved when he moved. Kelp with the
tide. Moved him or followed him. I. Like a tiny yellow fish
darted into his hair. And out. No solid between us. Space
only clarified my having him and letting go. Interrupted by
concrete and glass.A man entered the space. Picture him naked on a white sheet.
His skin the color of walnut oil. His fingers. Hidden. I
wanted him. Suddenly. To never forget.A man entered the space. Not so many men are beautiful. Not
so many. I personally have seen only four. Maybe five. A
beautiful man is painful to look upon. He is in every aspect.
A man. Has a head joined to shoulders. Arms joined to torso.
Hips riding legs that touch the ground. Thousands. No.
Millions of men pass me in the city streets. One only will move me
to tears. One will disgust me. One will make me pray.Beautiful men make me still. I. Become, Eyes only. eyes
hiding in a crowded room. Hurts like loss.A man entered my space. Part crane. Part myth. A man with
invisible wings. Who could rise. Perhaps I fear. The capture.
The ascension.I now remember nothing except all of him. From where he
occupied space and set his form apart from all other
molecular constructs. Every human who walked into the fifth
floor study registered as not him. I cannot tell you more
than I know. His flesh would be cool. Just enough to keep me
from speaking.
"And the days churned by,
navigable sorrow."
Robert Hass
Navigable Sorrow by Mary Zeppa Four Poems at Putah Creek @ Poet's Corner
That March was icy as Grandma's good looks.
We chanced it. Star thistles float. We made a raft,
bet the odds: set our course by Grandpa Henry'ssweet voice. He knew his way around a polka,
led her quite a dance. Can't hardly call themlovers, though they had 3 glossy sons to shine
through all the gloom that was, and still is,
Illinois. Monee, the most entangled little burgthat ever God spat out upon the dirt, where
they farmed 20, God-forsaken acres, 'longsidemy God-forsaken Uncle Irv. Irv of the Shiver,
Irv of the Stutter. Dead-Eye Irv spitting
his barb at an 8 year-old who's grown nowand won't drive across Sacramento to see
if he's shivering still. I navigate by feeland by the stars. Oh, Little Dipper, Little
Tipsy Bear, my Grandpa could make you
light on all four feet. Polka me 'round again,Henry. Just cattails to catch at our ankles.
Our hot breath as sweet as wild oats***
Let the physician and the priest go home.
-- Walt WhitmanThe young men haunt his days and nights
within the whitewashed wards. At last a bliss
though terrible. To those outside he writes,
"...there is no time to lose, & death & anguish
dissipate ceremony here between my lads
and me." Without the cloak of poetry,
he cures. He walks between the rows of beds,
his energy unchecked. At last he is freeto love. To give a gift, to dress a wound--
he feels the boys' needs as his own. His advance,
that war, soon ended; the mended gone, he found
the quickening of death, the stiffened defensive stance
of the "good grey poet," a man imprisoned
by the nation's grudging embrace, its frozen optimism.
Rising above the steady snore
of the purifier, a train whistle
from the nearby tracks scoops away
two metallic llamas and a solitary
wooden elephant plodding along the tops
of the bookshelves. In their absence,
camels from a caravan in a painting,
stumble, lose their footing in the sand.
The cats paw at their reflections in the window.
Time is restructured in that instant
of misdirected sound. Count back
one, two, three centuries.
Train whistles, bugles, church bells
thread through clouds.
My ancestors blow glass
in the Black Forest of Germany,
carry Lafayette off the battlefield,
make an error in judgement about
a new boarder from the coal mine.
Glass glows in the Von Eberhardt furnaces.
Some of the goblets flower, some crack.
A Polish soldier reloads his musket,
and in hard times, a distracted divorcee
ignores an infant daughter dying in her cradle,
gives her son away to an orphanage
tucked behind the spire of a Presbyterian Church
in Pennsylvanian woods.
Solstice Greetings by Julia Connor
hold what you have loved
firmly in mind
what is
bears also the tendency
not to be
bittersweet
the salts reshufflewhy not moisten
the fingertip
and write
the beloved name in air
right now
Blue Prose by Carol Frith First Published Tule Review
Lawn chairs like lateral road maps--
the grass scans blue. I won't go out
today. Bent light. Light like water spots.Nobody walks here anymore: three apricot
trees and a peach. The leaves fill with
blue, separate into blank space.Now, a man in blue grasses sits down on the
lateral slats. Answers turn over in the
middle distance. Think of the waya blue vein of light remembers itself.
The man in blue glasses frowns
in his lawn chair. He listens to me.I have a baker's dozen of blue words
to offer: azure, turquoise, opaline,
etcetera. On the other hand, except fortheir pastel variants, some blues are
almost untouchable. Notice how all four
of these blue trees balance each otheragainst the pale bermuda grass. The man
in blue glasses wipes smears of light
from his eyes. Tomorrow, I will closethe window. I will go outside. Tomorrow,
I will translate the man's blue hands
into prose for you.
Spring Equinox by Jane Blue
first published in Poetry NowI feel peeled, coffin-ripped.
The worms of night sated now.My spectacled eyes
tender as incubated babes.Elms hang infant leaves
like minuscule laundry.At a bus stop, a bird walks
high in a tree's new fringe,pecking, sashaying
up the limb skyward.It pauses to call "chip-chip"
into the Morse-code morning.Soon, someone replies,
"chip-chip." The bird sauntersout on the attenuating branch,
then steps into air.What soldier, what saint
will I be in this new life?
Outside
by Gary ShortSome strings of light.
Mostly absence.
Out the window, trees,
the narrow margin. The edges
carved in new sun.I sway,
stalled at the warm window.
Out there the sweep of wings.
Out there wind's tangle.I sway to the absence,
a disappearance like hushed flight.
Now the wind nods slack with sleep.In the tree outside my window,
the scurry of wings
like a preface to arrows.Latticed shadows of limbs
weave a net of the day.
The sway of the tree I depend on
to summon me.
Catching The Autumn
by Lara Gularte![]()
I am tired of my own long story,
my blouse stained with vignettes.
The gold ring I lost can not be found,
my china teapot stays broken.
Familiar faces are stacked,
piled high in snapshots.In this half-light of my life
I will cook a soup of claws and spine.
When my eyes fail I will eat more parsnips.
My skin will become bleached wood,
preserved by salt.
I want no candy hearts or sticky adjectives,
no flower bouquets
or fortune cookie futures.Give me a love song of nouns and verbs,
of hard surprises.
I will be an old woman with good bones.
Stars will face down and die,
the night will wear itself out,
and I will not let go of anything.
(--Pronuba) by Susan Kelly-DeWitt
You hover, a tiny flame
above white candles
of yucca--the night airsings you, breathes
you. While death
crouches in his slackcocoon, you fling your
invisible rope-bridge
of moth dust, white
panicle to white panicle.
I too wing my way-
crepuscular--
while the singular brightness
of the Swan
arches over me;
as if
like a spark
I could be drawn upward
toward Deneb.
I wish I could fathom
our tracery! unravel our skein
back to start,
beyond
mystery.
We are both salted
by moonlight
but you, pollinating mother,
climb boldly up the stairs
of each petal,
leaving
gilded
footprints.
Radio Program Samples summer '97
mp3 files may be played with Windows Audio Player
Heaven Flying Around in Space by Gilbert Schedler
Egrets Along the Yolo Causeway by Susan Kelly-DeWitt
Pruning the Wisteria by Carolyn Eads
Visitation Rights of the Levee Builders by William Barr
Crazy Moma by Doug Tedards
Descending Scale by Muriel Zeller
Floating Flowers by Catherine Webster
At The Swans' Crossing by Paula Sheil
Self Portrait as a Slight Wobble in the Motion of Stars by Catherine Webster
Transubstantiation by William Barr
To a Small Moth by Susan Kelly-DeWitt
In Light by Patrice Gates
A Deer Visits the Lamar Dodd Art Gallery by Doug Tedards
Diving Into Dark Fish Water by Don Campbell
April Encounter by Muriel Zeller
The New Main Public Library S.F. by Paula Sheil
Cape Cod by David Humphreys
Walleye For Dinner by Gilbert Schedler
Reason by Carolyn Eads
With Gravity by Patrice Gates
1st Audio CD Program
These mp3 files may be played with Windows Audio Player
Intro
Talking to Eve by Paula Sheil
The Chase by Muriel Zeller
In Fawn Dreams by William Barr
Heron in Winter by Catherine Webster
Stone Posture by Don Campbell
Outside by Gary Short
Stonehenge by Patrice Gates
Coyote Does the Hale-Bopp Hop by C. L. Hodge
Unified Field Theory by David Humphreys
Salamander by Frank Andrick
Aunt Lucy by Lara Gularte
Occurence of Cancer by Doug Tedards
The View by Susan Kelly-DeWitt
Thanksgiving by Jane Blue
My Husband Watching Football by Don Campbell
Reading at Barnes & Noble by Daniel Hettsmansperger III
Pershing Avenue Rhapsody by Ron Houssaye
Roses by J. Alfred Phelps
Gifts by Anne Struck
Maria by Nicholas Warner
Eating a Peach by Carolyn Eads
Isn't Each Child by Paula Sheil
Yellow Rainboots by David Humphreys
Green Is Not Just Green by Richard Rios
Magdalen at Cana by Loretta McKeever
Vespers by Gary Short
Catching the Autumn by Lara Gukarte
Dreamer by J. Alfred Phelps
Signoff
Audio Poems These files are Real Audio Download a free player here
Sound Engineering by Jeff Crawford
Percussion by Abassi Hunt
Wlliam Barr
Transubstantiation
Jane Blue
Spring Equinox
Robert Dash
Favorite Poems: Mending Wall by Robert Frost
Lisa Derr
La Mirada
Carol Frith
Blue Prose
Tom Goff
After Sushi
David Holman
Something About The Way You Write
Susan Kelly-DeWitt
To A Small Moth
Mort McDonald
Concerto For Fog And Piano
Joyce Odam
Into Winter
Gilbert Schedler
Walleye For Dinner
Paula Sheil
At The Swans' Crossing
Douglas Tedards
Riding The Morgan
Anna Villegas
Love Song For My Falconer
Catherine Webster
Floating Flowers
Mary Zeppa
Navigable Sorrow
![]()
Poet's Corner 1st Audio CD Poet's Corner Audio CD 2
Radio Program Samples
***
1st CD Program
More poems can be found in Audio Poems
See: In Fawn Dreams by William Barr
Stone Posture by Don Campbell
Vespers by Gary Short
Roses and Dreamer by Joe Phelps
Catching the Autumn by Lara Gularte
A few of Camille Norton's Corruption Poems
Aperture
Corruption
Napoleon's Boots and Dante's Body
Interlude with Night Cows
Paul Bunyan and His Blue Ox Babe
Audio Engineering by Jeff Crawford
New CD 2 Audio Program
As time permits we are installing more of this program
These mp3 files may be played with Windows Audio Player
Field of Stones by Joyce Odam
Apres Moi La Deluge by Roger Naylor
Light in New England by Sotere Torregian
Acupuncture by Melanie Bishop Sievers
Writing a Love Poem by Shonda Renée
Dark Energy/ Dark Matter by David Humphreys
Golden Palomino by Sotere Torregian
Buying Indulgences by Paula Sheil
Into Winter by Joyce Odam
Giftwrapped by Melaie Bishop Sievers
Washington Park by Sotere Torregian
Baby Universe for Stephan Hawking by David Humphreys
Another Word for News by Paula Sheil
You, Robinson Jeffers by Tom Goff
Spaeewalk by Shonda Renée
Parallel Universe mp3 by David Humphreys
Subdivisions by Melanie Bishop Sievers
Goodman by Norine Radaikin
After Sushi by Tom Goff
Odd Couple by Shonda Renée
The Cosmological Argument by David Humphreys
Notes from Blackbelt Class by Paula Sheil
To Be a Woman by Melanie Bishop Sievers
Witching Hour by Roger Naylor
De Neuveux by Sotere Torregian
On What Is Writing by Paula Sheil
Love Poem by Joyce Odam
Audio Engineering by Jeff Crawford and David Humphreys
Guitar by Ken & Daniel Malpas
Favorite Poems
Inspired by Robert Pinsky's Father's Day 2001
Favorite Poem Project
Contemplation of the Sword by Robinson Jeffers
read by Tom Goff
My Grandmother's Ghost by James Wright
read by Susan Kelly-DeWitt
Fox by Adrienne Rich
read by Julia Connor
After Making Love We Hear Footsteps by Galway Kinnell
read by Anna Villegas San Joaquin Delta College
When In Disgrace With Fortune And Men's Eyes by Shakespeare
read by Anna Villegas San Joaquin Delta College
Geronimo's House by Elizabeth Bishop
read by Paula Sheil ZamBombaAnd Death Shall Have No Dominion by Dylan Thomas
read by Lisa Derr
Mending Wall by Robert Frost
read by Dr. Robert Dash Honors & Spanish Univ. of the PacificThe Road Not Taken by Robert Frost
read by Maurice McDonald Poet Emeritus Stockto
The World As Meditation by Wallace Stevens
read by Dr Douglas Tedards English Univ. of the PacificThe Lake Isle At Innisfree Text by William Butler Yeats
read by Dr. Robert Benedetti Dean Emeritus College of the PacificAltitudes by Richard Wilbur
read by Dr. Robert Benedetti Dean Emeritus College of the PacificRedemption by George Herbert
read by Dr. Robert Benedetti Dean Emeritus College of the Pacific
Happiness by Carl Sandburg
read by George TurnerCasida of the Dark Doves by Federico Garcia Lorca
Love Is Not All Text by Edna St. Vincent Millay 1931
read by Richard Rios English: San Joaquin Delta College
read by Candace Andrews English: San Joaquin Delta College
God's Grandeur Text by Gerald Manley Hopkins
read by Candace Andrews English: San Joaquin Delta College
The World is Too Much with Us Text by William Wordsworth 1807
read by Candace Andrews English: San Joaquin Delta College
She Walks In Beauty by George Gordon, Lord Byron
Stopping By Woods by Robert Frost
On A Snowy Evening
read by Matthew Fox-Humphreys Son
Stopping By Woods by Robert Frost
On A Snowy Evening
read by David Humphreys Father
The Lake Isle At Innisfree by William Butler YeatsI will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean rows will I have there, a hive for the honeybee,
And live alone in the bee-loud glade.And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore,
While I stand on the roadway, or on the pavements gray,
I hear it in the deep heart's core.
Love Is Not All by Edna St. Vincent Millay
Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love cannot fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release.
Or nagged by want past resolution's power.
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It well may be. I do not think I would.