2005
Contest
2006
Contest 2007 Contest
Contest
Guidelines
poetscornerpress.com
Chapbook
Poetry Contest
Judge:
Joshua McKinney
has awarded our 2008
First Place
Award of $500.00
to Markie Babbott, Ph.D.
for her chapbook manuscript, "Sus Scrofa"
Poets
Corner Press
8049
Thornton Rd.
Stockton CA 95209
poetscornerpress.com
2005
Congratulations to
Chapbook Poetry Contest Winner
Svea Barrett
for her manuscript Why I Collect Moose
judged
by Dennis
Schmitz
author of seven books
including
The Truth Squad
by Copper Canyon Press
First
Place Award of $500.00
There has been a
wonderful response to our contest
this year with
submissions from as far away as Finland, Switzerland and
the United Kingdom
as well as every
region of the U. S.
from Alaska,
Oregon
and Washington
to Massa-
chusetts, New
Hampshire,
New York, New Jersey,
Maryland,
to Michigan,
Illinois,
Florida,
Alabama,
New Mexico,
Colorado
and Arizona.
The poem
publishing credits
of the manuscripts
are impressive as well, including
some of the
best magazines in the
country such as Poetry of Chicago
and Prairie
Schooner of the University of Nebraska
We look forward to
announcing our worthy winner.
Poet's Corner
Press
8049 Thornton Rd.
Stockton CA 95209
please visit our Press
page
2005 Contest
Contest Guidelines
poetscornerpress.com
Congratulations
to Chapbook
Poetry Contest winner
Nancy Wahl
of Sacramento CA
for her manuscript "Proof of Life"
winning a
First
Place
Award of
$500.00
and publication
Judged by
Julia Connor
Poet
Laureate of
Sacramento, CA
Poets
Corner Press
8049
Thornton Rd.
Stockton CA 95209
poetscornerpress.com
poetscornerpress.com
Chapbook
Poetry Contest
Judge:
Camille Norton
winner
of the National
Poetry Series Contest
has
judged the First Place
Award of $500.00
to
be awarded to
Dion Farquhar winner of the 2007 Chapbook Contest
for
her manuscript "Cleaving"
Poets
Corner Press
8049
Thornton Rd.
Stockton CA 95209
poetscornerpress.com
Send 2 title
pages, one with manuscript title only
another
with name, address and contact information.
Please include
e-mail address. Put manuscript title
only in upper
right corner of each text page.
Acknowledgements
of previously published poems
are highly
recommended. Please remember to put ms.
title on
Acknowledgements page
and make out reading fee check to
Poets Corner
Press
8049 Thornton
Rd.
Stockton, CA
95209
10th Annual
Poetry Contest
Stockton
Arts Commission 2007
1st place
BOOKS OF THE
BIBLE by Jeanine Stevens
We
memorized the sequence: Genesis,
Leviticus,
Romans, Acts—each section
awarded
a satin ribbon: peach, lemon, spring
green,
and last—royal purple for Revelations.
We
didn’t know what the prize would be.
Our
Sunday School teacher was well meaning.
I
trusted her. When I got teased about
the
black stain on my pink pinafore
(from
plums I wasn’t supposed to eat)
she
took me to the drugstore for a chocolate soda.
Two
of us won! We rode the bus to the circus,
the
other girl anticipating the chameleon
she
would pin on her jacket. But the clowns
were
threadbare, a pale, anemic looking
“Mr.
Sensation,” swung on the high bars,
and
the popcorn in a red cellophane cone was over
salted
and full of kernels. Later, all I remembered
were
dust, famine, locusts, and a small lizard
hanging
limp. I lived with the stain all summer.
9th
Annual
Poetry Contest
Stockton
Arts Commission 2005
1st Place by Lisa
Falls
2nd place
3rd place
Moss Landing
1st
Honorable Mention
2nd Hon. Mention
Dusty, deserted foreground dune
mirage
3rd Hon. Mention
fools the low cluster of thirsty
arrangements defining a silent
trail of undernourished sand/pressuring
yielding to a quick, parched death.
Horses frolicking center stage as the
birth of hooves pound the firm, porous
sinking, raised floor of the seaa
gallop
pokes holes in the frothy tall end of
the wave/pitting
the moving, hypnotic sea-puss.
Layered, gray ocean backdrop
colorless, symphonic movement
air-brushed into the active sea wall
of rolling rows replacing themselves.
A salt lick saturates the sandy moss
landing
with the soothing, saline tongue of
the sea.
2nd place 2005
by Howard Lachtman
After the Storm
Waking from long sleep I turn
like Orpheus in the darkness
to seek your face in flowing hair,
wavelike hair wakening memory
of what washed ashore that morning,
the women covering her raptured stare,
whispering among themselves of love
come to sorry end, shielding my eyes
from tide -ravaged beauty on her bed
of bloated kelp and torn fronds.
The clergyman, hastily summoned,
urged a psalm for her sake though
it was not Sunday and none of us
knew the ancient, comforting text
"They that go down to the sea...."
as if this was some Bedford whaler
run aground. So we left the business
to him and watched the fugitive tide
expose the shoreline like bone
and the sea surrender mysteries, save one....
The sleek, expensive boats found the wind
and pleasure took them elsewhere,
averting their eyes, as they would
had a winged boy plunged from the sky,
cursing the sun that betrayed him.
After the stretcher bearers departed,
I plucked from her wreckage a shell
for remembrance, pressed to my child's ear
only such song as Ophelia sang
of love without compass among lillies and weeds.
3rd place 2005
by Joe Tetro
POINT HOMEWARD ANGEL
You, copper-skinned angel,
always by my side
in the straps and buckles
of our hand-to-mouth days--our
nearly finished album
"Cold Winds a-Blowin’"
wailing inside us like
winter storms along the
Klamath--a dream as
battered and bruised on the
rocks of our illusions
as the salmon battling
up the River Klamath
to spawn and die.
You increasingly
wearing down and
slowly going blind--
treating your symptoms with
ever bigger daily hits of
sugar—cravings too long
undiagnosed--desire between
your legs killed by
growing hosts of
flourishing yeast, your
Pentecostal mind
slipping on the black,
frozen ice of a sucrose
imposed psychosis--fiendish
visions of demonic cats
seducing the wild genius of
your feverish mind.
Dark the night I
wrestled your heavy, dry-
mouthed, comatose and
cold-to-touch--but still
breathing--body
into the back of our
minivan, and took you
to L.A. County ER.
Nurses came out
and loaded you
on a gurney,
and pushed you
inside--you in your
pink flowered blouse
on backwards, and your
white shoes unlaced.
Then a sliding curtain
came between us, and
I never saw you again.
You died that night
like a sick heifer
in a storm after
wind and snow have
closed all the roads.
The next morning in the
parking lot the
nurse hugged me
as if she were my sister, and—
choking back tears--I
drove away.
Driving home,
I recalled the wild pigeons
I once captured and caged,
but soon felt so guilty about it
I soon flung open the cage
and set them free.
Timeless as heat escaping the sun,
they rose straight up as smoke
on a windless day; a
steadfast circling, spiraling, rising
staircase winding up, and up, and
up...into the wildness of the
heavens--until mere pin points
piercing the blue parchment of
sky, but compass confident as
ancient seamen steered by
stars they pointed homeward,
and quickly vanished
from my sight...and,
recalling that moment, I
knew you'd escaped, knew
you’d been released
from the helpless cage
of your ravaged brain--
to rise up, pierce the
sky, point homeward,
and vanish from my sight.
Notes
In The
Margin
by Senta Gracia Honorable Mention
(for Mr.
D)
A degree in English
made it his job to advise:
don’t justify the right margin!
right idea, wrong format,
and little circled commas
sprinkled
like festive red confetti.
But, his credentials in
Matters of the Soul
made it his passion to profess:
You commented on the religious
element quite eloquently.
What an insightful and enlightening
journey into the nature of evil.
Good luck on your academic journey.
These rare gems are now tucked away
unforgotten. I cherish each gift,
appreciating their hallowed wisdom.
Sometimes I polish a precious jewel
when it starts to fade,
admiring its shimmering beauty
as I pay heed:
You’re a true heroine
who will undoubtedly
succeed.
Offering
by Malia
Leuck
Honorable Mention
I
am
warm
bones
drying
in the sun
the
rocks
and
crisp air
I
am still
as
still as the
mountains
still
like the ones
praying
over me
I
am still there
in
the marrow
in
the air
swirling
through the
wings
of
birds who pick
at
my bones
my
warm bones
drying
in the sun
I
am still there, but
what
do I do?
everything
I couldn’t
do before
I
have shed my
outlines
my
confines, my edges
are
no longer clear
I
will spread
I
am still there, but
not
I
am everywhere
the
rocks
and
crisp air
the
warm bones
drying
in the sun
the
bird’s wing
the
dawn.
chilled
sugar by Lisa
Falls Honorable Mention
day one
oversized
semi-frozen strokes of
heavy, sweetened cream
fill the bubble bath valley
rising, incorporating air
to the most exalted elevation.
day two
nestled, fluffed
egg white sierra’s
shaken jars of soda clouds
above pine studded raw meringue
flavored peaks
of rock chips and chunks.
day three
saturated pillows
release crystallized, polar
white diamond desserts/spinning flakes
edible flakes, like chilled sugar
float below agitated white strokes
from the mystic brush
day four
high altitude white
dilated light/beyond white
humbling, billowed
disconnected ceiling
traps transient, vaporized memories
of a chilled sugar winter
8th Annual Poetry
Contest
Stockton
Arts Commission 2004
Adult
Category judged
by Jack Foley of KPFA fm and the Alsop Review
First
Again
Ash Wednesday by David Humphreys
Second
Mountain
by Cynthia Torres
Third
Fire
by Noor-Ul-Ain Noor
Honorable
Mention
Take Me by
Senta Garcia
A Valley
Bestiary by Michael
Capurso
Student
Category
First
Let Freedom
Ring by Jennivy
Tabbay
Second
It's Another
Stormy Night by
Jonathan Chow
Third
Can't Speak
by Joshua King
Children's
Category
First
My Stomach's
Mad at Me by Amnest Kaur
Second
One Step of
a Dream by Marissa
Williams
Third
Gray Wolf by
Sierra Dawn Atkins
Honorable
mention
We Deserve
More by Amnest Kaur
First
Again
Ash Wednesday
by
David Humphreys
(Because
I do
not hope, desiring this
man’s scope;
spirit of river, spirit
of sea, suffer me not to be
separated,
let my cry come unto Thee.) T.S. Eliot
Out of February rain, day after day, blossoms petal the
black wet street, violets on lawn thick green, the five of us
took a Saturday walk out onto
an open tract of fields and orchards
off west Valentyine's Day, view like
bronze bells clear to Mt. Diablo.
Just a few days later the paper
announced the new development as if
no one had ever seen or heard of Los
Angeles or tried driving
through a mad L.A. Thanksgiving.
Everyone here lives in deep
sleep denial and floors it from the
Pershing Ave. Thornton Rd.
intersection all the way past Paloma
and El Camino to Hammer Lane
like quarter mile rubber billowing
dragsters, this manifesto of eleven year
old daughters playing soccer in
traffic, big city hot rods racing by oblivious
chain link razor wired Embarcadero near Van Ness monster auto show
rooms,
everything in the world to do with water wars, empty blood banks
and the bottom line. Services will be held at 6:30 am, noon and
5:30 pm.
You turn away from political tirade, kneel and return to poetry,
hands
folded,
livid shiny polished skin grown old and slack as star light lain
limp
and thin on bone.
Second
Mountain
by Cynthia Torres
An endless sea of green
Presses against the mountain,
A woman lying on her back
Large brest, and hair
Flowing
Brown
Mexicans picking tomatoes
In the fields, backs bent
Noon day sun
Dripping with sweat
Wet
I remember my Grandma
Rosa, walking here
From Michoacan,
Five trips with twelve
Children
Grandpa working in the mines
Newspaper for shoes,
Cold snow in December
But nowhe is proud
And no longer speaks
Of these
Things.
I remember sleeping
In the noon day sun
Fat cat on the porch,
Paint peeling
Gray
My grandma telling me
Te amo mijo, I love you
Grow up strong and
Always on the stove
The smell of warm beans
And soft tortillas in a
Basket
I look at my own hands now
Soft on the outside and white,
But on the inside is the
Mountain
A woman lying on her back
Large breast, and hair
Flowing
Brown
Third
Fire
by Noor-Ul-Ain Noor
Those nights in my eighth summer
When my plump, juvenile body
Went through the traumaof his filthy
touch,
Burn me still, a decade later.
His sinful hands felt my hair,
And then slid downwards.
Those callus, slightly sweaty palms
Were never still.
And that cold fear of his body
Pressed repulsively against my own,
Constricted my throat and hindered my breathing.
How pitifully hard I tried to speak,
To close my unblinking eyes
Staring into the mocking darkness,
And then filling with tears of remorse and fear,
When my voice failed me
By dying somewhere in my throat.
And his hands...
Those relentless, damp, molesting hands,
Kept obeying their contemptible master,
Never breaking their sordid movemen.
Those nights in my eighth summer
Burn me still a decade later.
First Student
Let Freedom
Ring
by Jennivy Tabbay of Stockton
Let freedom ring
From this song we sing
Heros touch the sky
As they spread their wings
And fly across the sky
Let us say
From this day
Heros pass
But Freedom stays
So we stand united
Leave the bad memories
As we wait for the future
And see what life brings
As the the light surrounds us
We fly to reach
our goal
A rainbow is made
When we accomplish
What life brought
As heros fight
For our future
We look upon them
As we become them one day
So let them hear our cry
Always and every day
Second
Student 04
It's Another Stormy
Night
by Jonathan Chow Stockton
It's another
stormy night
I sit at my desk
with my light
Reading my old book of quotes
Essays, rhymes, and anecdotes
But only you are on my mind
So I sit around biding time
waiting to see you again
Not knowing how you'll feel by then
All I can do is apologize
In between my sorrowful sights
And hope that you can forgive and forget
But
all this is a wasted bet
It would be better for you to go
This I unfortunately know
I just got so caught upin my work
That I ended up becoming a jerk
I would like to blame it on stress
And also on the lack of rest
But I know I was in the wrong
And that is why I wrote ths song
To say that I want you back, my wife
Because you do complete my life
And I would do anything for you
Even if I had to start anew
So take this ugly, stormy night
And help me make the future bright.
Third Student
Can't
Speak
by Joshua
King
Puzzling trap that I can't
escape
Minbd moving at a speeding rate
But I can't speak
Only be spoken to
When I do speak my mouth won't
move
I'm trapped only left
alonewith my
thoughts
Forced to follow the the path
of
someone I'm not
And I realize that I can't
speak
unless being spoken to
Because I'm a child
I'm forced to be someone I'm
not
Because I'm a child
There's no way around
Becomingwho who I will be
Not who I am now
Dear Kay by Yee Thao
1st place
adult
2nd place 3rd
place Hon. Mention
&
samples: 2nd place student 1st place child
I want to feel 999,999 eyes upon me as I guard your purse while you
vacation in the dressing
room with Ralph Lauren, Victoria and her secrets. I want to cower at
your power of logic as
you convince the sun to run around the Earth. I want to mingle
with pneumonia while you
frolic in the tropical springs of the showermaster-2000. I want to hear
the crying grind of
transmission gears, because you want to learn 5-speed. I want to dream
about hunting swans
when you force me to to go to Swan Lake. I want to be your "knight in
shining armot", and
defend your honor against merciless arachnids. I want to be a slave for
"the man" for
10 hours a day, 5 days a week, for 12 months---so I can put a
down payment on a lump
of coal. I want to hear the whispers, to laugh at sneering jealousy
when we tread the runway,
your hand in mine. I do not want to hear you say, "I love you just like
a brother."
Shinken Shobu by S. Clement
Anderson 2nd place adult
The sword
cuts upward
catches light
casts
rainbow droplets
in reflecting arc
The sword
spirals up
draws darkness
arcs down
The kata
is a
poem
the
swordsman
the singer
Two singers
two swordsmen
telling
retelling
reshaping
To hear the song
of the sword
here
in this place
begins
the journey
Burial in the Rain
by Jim Turner 3rd place adult
Watched while this deep, untimely hole was dug
and snivelling clouds contrived a maudlin face.
The dead, I trust, don't mind-tucked in that snug;
but numbed, I dare not the the wriest grimace
or thinnest smile to shame this tedious rite;
stand, tearless, soaked in pain for your bones,
distraught by impudence, the chiding slight
of rain streaking cold cheeks of graven stones;
staining heaped-up soil-scant to fill that pit;
with platitude and flesh, melding with ground.
Dull words, my black suit-nothing here seems fit.
The dust I came to bid farewell is drowned.
I'll come alone when sunrise burns this veil,
your red carnation on my white lapel.
Splint Ring by John Allen
2nd place student
her lips were asunder that blue benign
summer like a mire flood drenched under
the sylvan maw toothed and gapped with red fine
fire the setting spawn of dead slumber
walking sleep waking the mare in iron
cast molds a fool shower of light thunder
sharpen fierce the flame spire of Zion
cursed the deaden deaden locks molding roundashen
infringing dead talk sharpto environ
showering Set's ferocious volition
Three Pictures by
Chloe Schwarz
You jump from tree to tree -
a diamond blur of agility.
You curl on your chair.
You lick your paw.
Limber, black creature
Proudly raises royal head
Prances toward its throne.
Egyptian pyramids,
Mountains brown tall and light -
The day sees this beautiful sight
High Sierra Camp by Howard
Lachtman
High Sierra Camp 1955
Huddled around the only campfire
in the dark, pathless mountains,
we marveled at the signal fires
of distant atars and competed
to tell stories of aliens.
Beyond these flickering pinpoints,
a smudge of decorative arabesque
betrayed a faintly glowing pinwheel,
nebula carousel turning once every
million years in the cosmic carnival.
Citing the nighttime pageant,
Pudge pointed to the evidence of design,
the hand of some invisible mechanic
shaping the whole of an infinite span
from star dust to unruly boys.
But doubting Skipper asked
why any rational architect
would see fit to scatter stars
carelessly as shaken dice and invest
mankind with notions of malice and murder.
Just how perfect was the human race
or we, its bellicose inheritors?
Wasn't it proof no one was in charge?
"Anyone who thinks like that is going
straight to hell!" Pudge warned him.
With such suspicions, who could sleep?
So, the chaplain came by and assured us
we could ask him anything and prayed
we would all grow to manhood knowing
the blessings of love and nothing of war.
His outstretched hands tamed all
unruly spirits while the log fire
leaped and blazed, surely a sign of favor.
Chastened in our sleeping bags, each silent,
we scanned the night with nameless longing.
Acupuncture
1st place finish 2002
See
Melanie at Putah Creek
by Melanie Sievers
It's
Harder Farming 2nd place finish
Lonely Stone Fields
3rd place
She rubbed memories like worry beads,
Her Spine
1st place Student
developing callouses and a reptilian digestion,
Sericulture
Honorable Mention
and a bad habit
of looking for the dead among the living.
"The liver is a
tender organ which behaves aggressively,"
Dr. Lee remarked, placing the last of the
needles
in her ear.
Closing her eyes, she saw the faces of
her sisters.
These faces once brought tender and intense feelings
to the green-eyed sloth in her stomach,
feelings that tasted
like wasabi and ginger and soy sauce, like tears.
Then the tears ossified.
Once, her sisters stood barefoot on butcher paper
while their kneeling mother drew outlines of their feet
(as if they were victims) then mailed them
to the crime lab in Viet Nam.
Daddy sent shoes made from these patterns
wrapped in old newsprint, smelling
like the shoemaker's lunch and the bilge-y holds
of ships and incense and jet fuel.
Made of velvet and sequins, they were perfect
shoes for prostitutes.
They were perfect shoes
for chasing euphoria.
Dr. Lee
sucked the air out of glass cups with lit matches,
pressed the hot rims to her skin, pulled them off
with loud gasps...
Euphoria was harder to catch
than the souls of aborted babies,
flying to heaven, ordoves
loosed from their cages,
or yellow balloons catching
on branches, popping on twigs.
Oriental
cubists
painted green and yellow sea-grass on her eyelids
Public radio played
Mozart. Dr. Lee came and went.
The
liver began to respond and behave.
The
cravings subsided.
Two years after
treatment, her sister says,
"I never wore those shoes;
they hurt."
Standing flat-footed in
flip-flops, she
laughs.
It's
Harder Farming by
Bridget Hoida 2nd place
I.
In the morning it's tough
enough,
6 am and already you're
up to the elbow in a
concentrated feed
stirring and mashing with
your fists,
attempting to take the chill
off the mixture
with your flesh.
When you were younger you
didn't understand why
you couldn't use a spoon,
large and wooden
like the one for lemonade.
Your father said, "You're
the momma cow.
The babies won't eat 'less
you use your hand."
Which for you, six years old,
amounted to half your arm,
or at least up to the elbow.
But you liked the fact you
were momma of something.
even if it meant getting up
before the sun
and sticking your arm into
cold meal.
Because of this you swore
you'd never eat meat.
Especially not veal,
consideringthe conditions:
dim light, immobile
heads,
pens too too small to lie
down in,
and you, now nine
still sticking your hand
into the mix to fill up a bottle
and then fighting not to
loose your grip as the calves sucked.
But your father wouldn't
hear of it
and when you tried some,
smothered in a white chardonnay,
you found that you liked it.
II.
It's got to be ten
times harder
farming at night
with the flood lights
mounted to the tractor
and the dust
indistinguishable
from the darkness.
3 am, her her swing shift at
Denny's done,
she saw them pulling and
tilling
from the unrolled window of
her '68 Bug
as she drove home through
the darkness
to stash her tips
-----twenty-seven dollars and
sixty-two cents-----
in a jar marked "Paris".
She never knew exactly why,
on the Stroud Stead,
they didn't farm in daylight.
But she asked sometimes,
while pouring coffee or
cutting into a slice of
coconut cream.
And though none of the
land-worn men
specifically said outright,
they didn't challemge the
assumption:
the midnight air could quiet
the heat.
Even still, at night
it just has to be harder
to emerge from the barn
without shielding your eyes,
to ride around on the Deere,
in artificial light,
keeping the lines straight
by instinct.
III.
She used to drive quickly,
with her lights off
down an eight mile road
with the clutch out,
knowing to shift from the
sound of the engine.
She used to time herself,
how fast she could get from
house to delta,
substracting seconds on a
digital clock
she duct taped to the dash.
She was upset all the time
so she drove often,
not wanting the water once
she reached it,
not wanting home when she
returned.
When she was driving
she thought her motivation
was the speed.
She opted for darkness not
out of daring
but because she had no
undestanding of physics,
felt the light would detract
from the velocity.
The road was rarely driven,
unpaved and straight through the fields
She brought a felt pen and
while driving
she would scrawl words
across her legs.
Bumping into the steering
column with her right fist,
left hand on the wheel.
When she reached the levee
she got out,
slammed the door and left
the car running.
She waded knee-deep into the
water,
splashed some on her thighs
and scrubbed on her legs
with her palms
until the ink bled.
Lonely Stone Fields
by David Holman 3rd place
You know about mornings like
this,
when you wake and feel
fresh, when
you have the need for
activity, exercise.
You walk out into the world,
fog drizzles, the moist
earth accepts
each step. The sun begins to
break
through. Trees step forward;
stones, named,
rise in ramdom columns
scattered
across a sea of green.
Shadows lean
into dirt roads: tangled,
haunting. Dew-laden
branches melt in drips of
crystal light. Thighs ache
from the burn of chilled
air; faces sting.
Words appear as ghosts that
stretch out
to form complete sentences.
The sun
comes to rest on your
shoulders; warm,
comforing. The sky hums its
blue
background sounds. Grass
sparkles
with tiny beads of light,
each blade
a world unto itself. A gray
pigeon
announces the arrival with
applause
of wings, clapping
incessantly as it flies
into the shaggy head of a
palm. Some birds
somewhere bicker over
breakfast. And
the sun touches your face.
You know
the kind of morning that I'm
talking about?
The kind of morning when,
years later,
after autumn has come and
gone; after
leaves have fallen, never to
rise again;
after you have lost a
brother , a father;
after you have traveled miles
through the shadows of
grief; after everything
you have ever loved has
disappeared
into the dark countries of
regret; even after
all this, the sun still
touches your face,
wave after beasutiful wave.
Her Spine
by Jennifer
Bamberg
1st place Student
Her spine, now made of metal,
like brilliant shing steps
on a ladder
climbing up her arched back, made
perfect
PERFECT
by modern technology.
Now all the pieces fit.
Before, a constant question mark
lingered like a neon sign
underneath her skin.
Now she stands tall,
is finally able to
stand tall
when the boys brush past her
in the hall.
Technology's greatest creation
a canvas of flesh
stretched over old roads of dusty
blue veins
running across and over across
and over
a creeping vine of metal.
And in the dark
she drags her fingers
up and down
the pure, straight line of her
back,
pushing in the wide scar,
making sure not to miss
one single ridge.
But what she can't feel
is the coldness
rising from the core of her
mercury smooth marrow,
like ghosts creeping off a gass
lake
at dawn.
Sericulture
by Gary Thomas
Honorable Mention
it
is their crude house
that
makes your blouse
each a long thin mystery
made from base mulberry-
filament spinneretted to thread,
caterpilar risen to plain moth-
leaf to warp and weft,
moth to waft and lift-
silk is made
tapestry-
when you wear
it, a story
unfolding, the raw creatures we are
becoming, our own homes we wear
as wings, our destination
where we started, patient
as the finished favbric, eternal
as the holy ourobouros
S.A.C.
Poetry Competition
1997
1st Place Open Category
Yellow Rain Boots
by David Humphreys
They're
way too big
reaching all the
way
up to her knees;
bright yellow daffodil boots
and nothing puts
a smile
on her four year
old face
like clomping around in them,
mud puddles imagined
in the middle of
the kitchen floor.
Monday
after Easter Sunday
we stopped by the jelly bean factory
on the way to Wolf House,
spring like a green fever
spread out on the hills like butter,
Eucalyptus trees
planted for wind breaks
shed their skins
and rattle
smelling like a cold windy day,
redwoods standing as tall as Moses,
shade cool as a nave from narthex to chancel,
flanked by silent aisles.
"I
love him so much of the jungle
when my mommy takes me there,"
she says when I ask her
if she's ever seen "Magilla Gorilla",
Faye Wray and Jessica Lange
trilling in her happy voice
like down at the
bottom of a little bird's nest
of hope chest treasures
so relaxed and secure
my daughter sitting in this ancient lap,
me with all of human history's stone tablets
trying to shake some sense
into the way things are.
2nd
Place
Reading At Barnes & Noble
by Daniel Hettsmansperger III
I'm
trying to pay attention,
after all that's
what they expect
you to pay
but the sound of
children toppling
masts & towers
of Dr. Seuse and
Mother Goose
distracts like the shattering of
Constantinople's walls
I'm
goingthrough my poems
searching for what I'll read
"Too racy,
too sexual,
too political".
I
find them.
While searching people start
clapping and I clap with them
to a poet whose every word
I've missed.
I take the podium and am struck
by the fact that
podium rimes
with plutonium,
and that the coincidence
is meaningless.
I
start reading
and from the intercom blasts,
"Victor to the cashwrap, please,
Victor to the cashwrap...!"
What's a cashwrap?
Cashier, cash register, cash on hand,
Johnny Cash, gift wrap,
I know what these are.
Cash wrap?
The
hardest thing about reading poems
is that you never know if you're any good,
if what you've written is pleasing to anyone.
Comedians
get laughter,
athletes get cheers,
politions
if they don't get booed or shot
know they've said the right thing.
But
what do you give to a poet?
A sigh,
a snicker,
a quiet smile;
or the low clap that is familiar
to so many
professional golfers.
3rd
Place
Pause
by Loretta McKeever
pause
with me now
as I bury my father
follow
the grandsons
through morning light
as they set him down
near autumn vineyards
wine-heavy
the clusters wait
other hands will
soon enough
release them into life
with
my sisters I carry sunflowers
towards the earth upturned
receive the fragrance
of soil moist and dark
turn
now
take my arm
silent generations
sing stories
as we step home
at
table under the apricot
share bread with
me
save the remnants for the sparrow
and the crow of ebony
pause
with me now
1st
place Inspirational Category
Bread
by Loretta McKeever
in
the desert
forty years passed
as I devoured
book upon book
of prose,
Fulton J. Sheen,
Pearl S. Buck
countless others
soon
only
poetry's
brevity
fed me
adequately
my
fort-fourth spring
syllables Oriental
subdued my hunger
now
only the
verse most full
satisfies -
I AM
2nd Place
Prairie Song
by Vada Overall
Wild daisies, buttercups and crimson
hollyhockssprinled the plain,
flat as a table, the prairie stretched
with miles of buffalo grass
tossing in the
wind
like
the mane of a wild mustang
Not a hill or a tree,
not an antenna
or a roof line
to break the endless horizon.
I was tongue-tied
with joyful awe for what I saw.
All fences fell around me,
Gone was the wall
that kept me small.
Suddenly--I had space
for standing tall.
My heart lifted like a sail
and carried me
with it;
I shouted and sang
and raced circles around myself;
The older folks smiled
for I was, after all, a child
full of ambition and emotion.
But I was so much more,
a priestess of
one
with wind and sun,
a soul set free
a soul whose eyes
had glimpsed
infinity.
3rd Place Inspirational
I Am A Tree
by Michelle Villalobos
My
leaves dance
in variegated light.
They sing like
distant rushing water.
Once fragile, tenuous,
shaded by my elders
I grew
into a home for life:
fruit, shade, shelter,
a thing of beauty,
a monument to the
goodness
of my Creator.
Children bend,
even break my limbs.
Wounds heal to
scars,
lovely emblems
of my character.
Winds blow, almost
rip me from my
base.
But I remain,
reaching up
through clear night
stretched to the heavens.
I embrace the moving air.
"But
I am an olive tree flourishing in the house
of God;
I trust in God's unfailing love for ever and
ever." Psalm 52:8
2nd Place Student
Category
1997 San Joaquin County Arts Council Poetry Competition
The Dance Of The
Herons
by Lawrence E. Long
Through
folds of grass that
Gather 'round the circle of rock,
With the sky, like tar and stars
Twisting round
the autumn moon,
comes the dancing Heron flock.
Dripping
down from tops of clouds
Skimming the current of the stream,
Once the soft and soothing grass
That bends beneath their bounding feet
As they dance beneath the nightly beam.
The
forest floor is hidden now
By blankets of
leaves, brown and red.
Upon low bursts of wind they rise
And spiral into waiting night,
To fall, and find and make their bed.
The
Herons acend and back again
On flowers all
of a hue the same,
Throwing color
all around,
Circling, dancing all as one.
They sing to persuade ancestral flame.
The
fire rises from the Earth
Of silver, red
and midnight blue.
Slowing vivid,
high and wide,
Whipping in the cold night wind,
Bringing both the old and new.
The
Herons dance on shades of grass
Around the soaring mystic fire
He is the spirit of the dance.
Wings flutter,
keeping time
To music played on magic lyre.
Atop
the highest mountain crag
Stands the oldest Heron, He
whose eyes are
circled red and gold
Will bring forth the few, those chosen few,
For whom they hold ceremony.
The
elder leaps above his seat
And glides through clouds to meet the rest
He stands amidst the feathered flock
And looking on
his kin, allows
The blaze to shine upon best.
With
raised wings and sorcery
He brings the flame up to it's peak
With glory unmatched and cause unknown,
Seven flames flail from the top
To seven Herons at the beak.
With
the chosen brought before their king
They bow their
heads with honor proud
From here they
know their destiny
As leaders of this magic flock
They dance along on air and ground.
Then
silence falls and covers all
Who dance in flowers bright and wild
As the elder lifts his head on high
And brings to him on with call of wing
Another, a young Heron child.
The
flock stands still and breezes cease
Blowing through brush and tree and reed
All All is quiet until until the elder walks
Up to the staring child. He points
And proclaims the words, "And he shall lead,"
The
child turns and looks at him
With music starting from the lyre
The elder then
flies up again,
Just above the
dancer'